OAD Dinner (Top100 European Restaurants)

Some stories are there to be told…

… the PAST: one about my personal history with OAD (Opinionated about Dining)…

… the PRESENT: one about the friendship and professionalism of seven chefs serving the OAD Top100 European Restaurants 2014 diner in Brussels last Monday…

… the FUTURE: and, finally, one about the future of fine dining that already shined through at the OAD diner…


When I started to get interested in fine dining in a serious way I came across some forums that discussed the latest trends, shared experiences and gave advice from an international perspective. Among them was Steve Plotnicki’s Opinionated about Dining where I found similar minds to share my passion. It was here that, in 2005, I posted about German fine dining and asked why no-ones writes about the German scene. Steve answered that there is nobody to promote those restaurants and the consensus was that German fine dining was a mere copy of French haute cuisine. So, as a matter of fact my whole blogging mission was born out of this OAD threat as I want to showcase and portrait the German fine dining scene, first on the site highendFOOD (that miraculously now belongs to the you-know-who of the German culinary world) and now under this new endeavor culinary-insights.de.

OAD Top100 European Restaurants.

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Hof van Cleve 2010

In culinary terms, speaking of Flanders clearly means much more than just the Belgium region. In the former County of Flanders that encompasses parts of present-day France, Belgium and the Netherlands many interesting “modern” restaurants have mushroomed over the last couple of years that resulted in the formation of the Flemish Primitives named after Northern renaissance painters inspired by various arts. There are many reasons for this development – on the one hand the Flemish tend to be curious and open towards new ideas and dining has always been an important part of their culture. On the other hand, such an evolution needs some spearheads that pave the way for a next generation of chefs.

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Oud Sluis 2010

In August 2009 after a splendid diner at Oud Sluis I asked Sergio Herman what he still strives to achieve after being awarded three stars (since 2005) and 19.5 points in the Gault Millau. He paused and stated that first of all he wants to give the best every day (and for his highly artificial cuisine that’s a lot of work given the incredible booking situation and opening times serving lunch and diner during the week). And, then he added that he is eager to continuously reinvent himself. At the Flemish Primitives 2010, he stated more precisely that he wants to spread the “Sergio feeling” creating an overall dining experience working together with various artists (e.g. tattoos, porcelain, photo) to express his personal style.

Sergio Herman

In the summer break of 2009 this development had just begun as he had completely renovated the interior of the restaurant into a very modern black and white “salle de noir”, combining the previously separated rooms and painting even the homey wooden ceiling white. When we dined there, the white brigade still needed time to feel comfortable and the whole setting seemed to lack the warmth and authenticity of previous years.

Already in this very 2009 diner, the style of the cuisine had slightly changed as the style-defining presence of international, especially Asian flavors was less apparent and some dishes showed more looks than substance.

The iFoie (top left) is a brilliant idea but it’s just apple and foie mousse with a sherry jelly which tasted good but did not create the most interesting interplay of flavors and textures that is one of the cornerstones of Sergio’s cuisine (thank god I added the brilliant textures of foie gras as a second foie serving (top right)). Similarily disappointing in this respect were both the tattoo dessert (bottom right – Sergio had created two tattoos with the legendary tattoo artist Henk Schiffmacher, one for the lady, one for the gentleman) and the LOVE dessert inspired by Robert Indiana. To be sure, most of the other courses were outstanding to divine, but the overall level of the meal was below my previous Oud Sluis experiences which showed more overall consistency.

Then, end of 2009, the big bang happened: Gault Millau awarded 20 points to Oud Sluis, an honor previously only given to Marc Veyrat who has closed his three star venue due to health problems. So, there is one answer to my question – at least now, there are no further promotions possible☺

I expected the booking situation to worsen (and it did) but as I was invited to a wedding of dear Facebook friends (a blind “date” in 2009) I could book a weekday lunch table for September in May…

We opted for the six course (three desserts are counted as one course) Père et fils menu and asked for an additional course – in the end, they charged €185 for the enlarged menu. This is exactly the price for the now offered seven course menu.

2007 Leányka

This parade did already show the direction of Sergio’s further development: an utmost precision even in the tiniest detail let the amuse (and later the petit fours as well) look like art in itself, like little sculptures. Although this sculptural touch had been present in Sergio’s dishes before, it was definitely some notches up for the amuse/petit fours. And, they did taste: mussels / almonds / oyster chips were perfectly fresh and crisp and the macaron with salmon and yoghurt was intense, yet showing a bit too much meringue (but half the macaron would do for many many other macarons as it can become far too dominating).

Wonderful structures of carrot with amazingly tender pork belly, crab and miso followed by eel with beet root, sour cream and hamachi with sprouts, horseradish and soy formed the first phalanx of incredible amuse which certainly showed that there is no better way to start a meal – well, only they could have been served a bit more chilled (but this is a surely a tribute to the full restaurant and the immense workload necessary to prepare them).

The wine pairing with a 2007 Leányka from Hungary (christ, I simply cannot read the producer’s name on the bottle and forgot to take notes) was very successfull – the grape Leányka means ‘maid’ in Hungarian which is programmatic for this floral and rosy wine with enoght structure to accompany the various ‘nibbles’ and the first course

The second part of the amuse was also impressive: a very genuine salad / tomato cracker and goat cheese ice cream demonstrated how refined even the simpliest ingredients can taste if treated with utmost care and respect. Last but not least, a delicate and very Sergio-like interpretation of thinly sliced Wagyu with spring onions, chicken skin cracker, avocado crème and Tomkagai jelly and a new version of the signature variation of local mussels: razor clams, small crabs, mussels with kaffir lime and dried soy jus. Outstanding and a big applause for this craftsmanship and parade of ideas.

The first course took us back on the ground and we wondered whether this Stockman bowl of Greenland prawns was really served at Oud Sluis. Already from the appearance one can tell that this creation is less dense and complex than “usual”. Of course, the prawns were of outstanding quality and nicely marinated in soy and some lime vinegar, the accord with the fresh and intense cucumber and the slight temperature contrast with the granite of bergamot worked perfectly. Yet, I missed the textural accentuation that normally emphasizes exactly the right elements of the plate. Moreover, the many prawns seemed a bit repetitive although they were each individually aromatized by different wild herbs but this was more like Aduriz and less like Herman, somehow too subtle for him. For every other chef this would be excellent but Sergio can clearly do better.

From a menu dramaturgy point, clearly more refreshing and a better start than before – maybe that’s his rationale behind this dish… Unfortunately Sergio had left to look after his kids after we finished, so I couldn’t ask him

2008 Eisachtaler Riesling Kaiton, Kuenhof, Alto Aldige

Next up was our inserted second preparation of langoustine: a carpaccio of langoustine filled with intense north sea crab meat surrounded by an archetypical langoustine jelly and a very intense lime/verbena-gel. Whereas the prawns had shown at least some texture, this was texturally too one-dimensional. And it was a bit rich – something I never experience before at Oud Sluis. But, the taste was incredible, the carpaccio showed an amazing product character and the interplay of the langoustine, more rustic crab and the jelly and the herbal gel in combination with the shiso cress was a masterpiece. Sometimes, textures don’t seem necessary. Excellent.

2009 acústic blanc, acústic celler, Monsant/Spain

Ahh, finally, a typical Sergio dish: a benchmark species of roasted langoustine served with different tomatoes and courgette emulsion, spring onions and fresh almonds accompanied by a wonderful almond and tomato vinaigrette. As “simple” as it seems, this is Sergio at its best: perfect dimensioning with the almonds providing the essential unexpected kick, light, fresh (abandoning with heavy sauces but using light transparent vinaigrettes), product-focused and a nice textural overlay using the natural and pure courgettes, almonds and the thin toast. Pure pleasure – bravo!

2005 Crémant d’Alsace, Audrey et Christian Binner, Alsace

The next course was again most unusual as I never had a warm gooseliver dish at Oud Sluis before. A first dish to criticize also from a non-Sergio perspective: the hazelnut and goose liver emulsions made the dish overly creamy, the peach was a bit isolated and could not show its full potential such that the whole dish was not in equilibrium of sweet, sour, rich and earthy flavors. And, it’s hard to stand up against the quality of Anne-Sophie Pic’s roasted foie gras – nowhere in the world (except maybe for Troisgros) can this foie quality be found. So why serve this slightly inferior product? Overall, a very good dish and maybe one of the only dishes at Oud Sluis not at three star level.

My dining companion got the eel with quinoa, a far more satisfactory endeavor as it again was pure Sergio and nice interpretation of the sweet-sour duality. Especially the marinated eel really added nice counterpart to the almost pure other elements as it grounded the dish. A textural balance act, perfectly constructed. Outstanding.

2008 Chardonnay Cuvée du Pape, Chateau Ksara, Bekaa Valley/Libanon

A second divine dish: perfect loup (of the necessary thickness!) combined with surprising smoked lobster as indirect aromatization, some beet root and radish variations. Interestingly, one of the rare occasions where Sergio used a kind of beurre blanc that carried slightly smoky notes to add acidity, and balancing out the dish. Nothing else needed, nothing redundant… Amazing pairing with the Libanese Chardonnay!

2006 Coteaux du Languedoc “Clos Maginiani, Domaine Zumbaum Tomasi, Languedoc

Pigeon is, among lamb, one of favorite protagonists for mains at Oud Sluis. Irrespective of the premier pigeon quality, the interesting sea kale salad and the galangal, this dish seemed a bit bland as there was too less on this Stockman plate to counterbalance the sheer amount of the pigeon. Tasty, yes, nice textures, yes, nice interplay of acidity, spiciness and fruitiness, yes – but it could not quite live up to the divine pigeon dish with solid/liquid foie spheres and the sushi of cabbage served in 2008. Nevertheless excellent…

The first part of the desserts: contrary to last year’s only visually appealing dishes, this “mouth” delivered and showed the full spectrum of OS’s pastry mastery, artistically playing with the cherries theme with some mascarpone mousse and yoghut ice cream underneath. Not like an improvisation but like a cleverly arranged variation, never boring, texturally diverse and just to the point. Outstanding.

”Bugs buggy” was along the same lines – a variation of carrots in a dessert, particularly the cakes were astonishingly good. Visually and taste-wise stunning. Maybe a bit repetitive…

The third divine dish of this lunch: “berries in a leading role” showed how modern pastry can create new worlds to be discovered. A benchmark vanilla flan, different berries, various textural elements served with an incredibly sweet broth of berries and lime. Chapeau!

As I had not eaten the tattoo coins created by Sergio and the industrial designers of studio Job, he inserted them after the dessert parade. A bit reminiscent of last year’s visual phase, it is just chocolate, nothing else. Admittedly presented in an appealing way but not a proper dessert course as which it had been used end of last year. Simply too “boring” compared to the other desserts.

The parade of petit fours repeated the artistry of the amuse – a delicate combination of verbena and aloe vera, passion fruit and white chocolate followed by a masterly miniature of a modern tiramisu with grenadine, milk crunch with yuzu and a fruit soup with mint.

The Verdict

Overall, this lunch was much better than the 2009 experience, but not quite at the level of 2007 and 2008. The complexity of Sergio’s style is still very present and in way the he has taken the next step towards integrating visual dishes and filling them with more “content” and delicacy, especially the pastry is back on the block and has left its merely visual phase of 2009. Maybe the integration of both approaches will yield the “Sergio feeling” in the end.

Interestingly, in my previous reviews I praised that Sergio exposes the diner to a new world of textural suspense and of unknown flavors/ flavor combinations. In this very respect, this lunch did not create that much sensation as in 2007/8. There are two reasons: on the one hand I have gained more exposure to fine dining and thus experience such that it is harder to really wow me. On the other hand, the competition did not sleep in the meantime – others have somehow tried to replicate Sergio’s structuralism (but most failed) or enlarged their spectrum of flavors and products. For example, whereas the gap between Sergio and the top German chefs was quite substantial in 2008 it subsequently narrowed down and chefs like Wissler, Bau, Elverfeld and Amador are at a similar level, yet with a distinct and different style. (On a side note, the whole modern Benelux “school” seems heavily influenced by Sergio’s (and also Jonnie Boer’s) work and thus seems repetitive from time to time. Only Peter Goossens has found his unique way in integrating both modern and traditional aspects and thus stands out (more to come soon on my Hof van Cleve visit)).

So, keeping that in mind it is hard to judge Sergio by comparing him to his previous work – in a way, this makes him his own benchmark but makes further development difficult – at that level, that is. Subjectively, the cuisine is more “back on track” after the “disappointing” 2009 experience and maybe the trajectory will lead Sergio towards a cuisine with is both visually stunning and pure delicacy keeping his key strengths. So, to be sure, this is still a benchmark experience and every foodie should have eaten here, enjoying the unique atmosphere and impeccable service (interior, brigade and cuisine seem more balanced out now)! I, for myself, can’t wait to see where the journey goes.(1)


(1) I only hope that Sergio can deliberately diversify to obtain other funding sources in order to be able to cut down opening times and stress for his brigade… For some very good impressions see the following vidao (still the old interior) above

Restaurant Oud Sluis
Beestenmarkt 2
4524 EA Sluis
Tel:  +31 (0) 117-461269
Web: http://www.oudsluis.nl
Mail: contact@oudsluis.nl
Opening Times:
Lunch from


Dinner from


Beluga – Maastricht

It’s an impressive modern building, with a nice view over river Maas – Restaurant Beluga with no doubt is situated at a prime location in Maastricht.

Restaurant Beluga

Inside, it’s even more stylish with a bar in the front part and the spectacular spacious, hall-like dining area in the back. Many carefully selected design and art objects, this ist he benchmark of a modern Gourmet Temple which could be in any world metropolis – truly impressive but yet very welcoming…

Beluga Interior

Chef Hans van Wolde toured Limburg in his early years and perfected his cooking skills with Toine Hermsen in Maastricht. In recent years one expected him to catch with Jonnie Boer and Sergio Herman as the third three star chef in the Netherlands but couldn’t yet reach the highest laurels. We will see why…

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In de Wulf – A Kind of Magic

The Flemish Primitives are coming up – this urgently reminds me that I owe you some reports on my Belgium/NL trip end of last summer. Although I have written about the Service à Six Mains at In de Wulf, the restaurant itself very well deserves its own post to provide deeper insights into the philosophy of Kobe Desramaults and his team.

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Looking Ahead (I): The Flemish Primitives

I am excited – lots of culinary delights are forthcoming this year. Planning for the first quarter is nearly finalized – although there are so many backlog posts from last year. Unfortunately, my time is rather limited recently – but I promise to report on my latest delights – France/Paris was the focus of last the second half of last year. Oh, and Belgium/NL. And some fine meals in Germany. And some very disappointing experiences as well. In places absolutely not expected…

Coming up – I am very much looking forward to attend a fantastic event – The Flemish Primitives. This convention – taking place the second time in Brugge on February 8 (see Laurent’s account on last year’s event) – wants to reinvigorate the spirit of the ‘Flemish Primitives’ of the 15th and 16th century, a movement of painters who got inspired from techniques from other art disciplines. In this sense this years focus is on fruitful collaboration of some of the best Flemish chefs and their guests with leading food research institutions. Back to the future of cooking – a very good motto I must say.

The interesting thing is that I like the modern Flemish cuisine because of both its authenticity rooted in local traditions and products and its modernity. So, we won’t see technology for technology’s sake – but I guess a modern and thoughtful enhancement of the regional spirit. Well, let’s wait and see. Can’t wait, actually…

Identity Crisis? – Not in Flanders!

Crisis – what crisis? Sure, there still is something like a financial crisis which hit also the fine dining world quite significantly…

But an identity crisis? Hmm.

The so-called ‘new naturals’ have left their own footprint by continuing the tradition of Michel Bras and Marc Veyrat to fully embrace the regional produce and its distinct character. Important protagonists are Antonio Aduriz (Mugaritz), David Kinch (Manresa), and, most importantly, Rene Redzepi of noma. Basically, he managed to put Scandinavia on every foodie’s map. It represents a re-focus on regional products (here Scandinavian) in a modern and authentic way. Having dined at noma, MR and Geranium I must say that this a quite distinct and unique approach to the fine dining experience as it clearly abandons with the usual suspects of luxury ingredients which I find more and more boring.

The interesting question for me is: can the Scandinavian new naturals model be transferred to other regions?

After the dinner ‘Service a 6 mains‘ at In de Wulf the answer is undoubtedly yes. There is no identity crisis, at least not for Kobe Desramaults (In de Wulf, 1*), Filip Claeys (De Jonkman, 1*) and Alexandre Gauthier (La Grenouillère, 1*) who joined forces to present a cuisine rooted in Flanders focusing on their regional products.

Filip Claeys, Alexandre Gauthier and Kobe Desramaults (left to right)

Filip Claeys, Alexandre Gauthier and Kobe Desramaults (left to right)

But not only the approach to cooking was novel but also the way of bringing their message across. To disseminate their agenda they invited bloggers from all over the world (Trine, Laurent, Bruno, FoodSnob, Bernhard, and Stephen Harris (the owner/chef at The Sportsman, representing Steve P from Opinionated About)) along with traditional food journalists. Not to forget the one and only Piet de Kersgieter who took those brilliant photos (however, most of the photos on this post are mine unless indicated).

And here it links up to the financial crisis – both a clear differentiating profile and new ways of ‘marketing’ are good answers…

Sundown in Flanders

A special evening in Flanders

To cut a long story short, the dishes, the presentation, the vibrant atmosphere of this very special evening were unique and very much authentic. It lived and breathed the spirit behind the concept and dishes as well as the pride for their local produce. A pride, I have to admit, I had only seen at noma before… And, most importantly, the dishes of the three different chefs integrated seamlessly in one menu even though each has his own handwriting…

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Off to Belgium (again): Service à 6 Mains at In de Wulf

Well, Belgium and the Netherlands have emerged to a culinary hotspot not only due to Peter Goossens, Sergio Herman and Jonnie Boer ranking among the best chefs in the world. Interestingly, there are many young, very talented chefs who have developed a modern yet distinct culinary style, especially in the Flanders region. At my recent visit there I had fantastic diners at De Jonkman (Filip Claeys has even more emancipated from Sergio compared to last year) and In de Wulf (Kobe Desramaults has created a very unique interpretation of his region – a kind of continental noma but Flanders-style) among others (reviews to come;-) )

Now, Kobe and Filip have joined forces with Alexandre Gauthier from Le Grenouillère in the French part of former Flanders county to show how “their” regional products can be elevated to the culinary high-end. This approach was already very visible at both De Jonkman and In de Wulf when I ate there. But to go the next step, namely to rely mostly on regional produce, it is necessary to cooperate to have synergies in sourcing and logistics. I recall my conversation with René Redzepi when he told war stories from his initial sourcing endeavors…

Filip Claeys, Alexandre Gauthier and Kobe Desramaults (left to right)

Filip Claeys, Alexandre Gauthier and Kobe Desramaults (left to right)

Tonight, a service à 6 mains will take place at In de Wulf to present their approach. So I will be off to In de Wulf again and will report back about the fine details. You can also be there – well, virtually at least: the whole evening is broadcasted live on the net by Cuisiner En Ligne (starting at 4 p.m. CET to present the chefs and their products and then again from 8 p.m. onwards). Watch, enjoy, indulge…

Jonnie Boer – Bravo!

In the web2.0 fine dining blogs and forums are much more up-to-date and in-depth than the usual gourmet guides and are truly complimentary to these. Some restaurants create more buzz (like noma) and some less (like Arzak) but almost any high-end restaurant is covered somehow. Among food bloggers worldwide it is some kind of sport to write about the usual suspects to give an update and personal account and to discover new places.

Much different for Jonnie and Thérèse Boer’s De Librije in Zwolle (NL). Although any foodie is aware that this restaurant carries three stars and offers both modern and interesting cuisine there is only an old report from Andy Hayler and a more recent very positive account by Lo Mejor (and the latter is not even a blog in the strictest sense). This maybe in part due to a seemingly remote location and the lack of agglomeration of fine dining places which make a good tour. Nevertheless, the booking situation is awesome – it is impossible to get a table without planning 6or 7 months ahead. This kept me from going so far…

Jonnie and Thérèse Boer (© Foto met dank aan De Librije)

Jonnie and Thérèse Boer (© Foto met dank aan De Librije)

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Hof van Cleve – A True Master (July 2008)

Before I go on and turn to eating adventures in Germany there is one more reference I want to share. During our B/NL trip we this year finally managed to eat at Hof van Cleve (HvC) in Kruishoutem near Gent in Belgium.

I came across Peter Goossens not before Juli 2005 when he was Chef of the Month in the German magazine “Der Feinschmecker“. His creations looked so amazing, pure and tasty I had to try and cook the proposed three course dinner at once. It nearly killed me, especially the tuna entree with king crab in soy cannelloni with wasabi ice cream. But it was very very good. So, I thought, if something is this good when an amateur like me prepares it, one has to go and eat at his restaurant. (BTW, as Sergio’s creations are more complex I did not even dare to try any recipes of him yet;-))

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